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Ocean Floor is a meditation on silence, pressure, and mystery—the kind of mystery that lives beneath everything we think we know. This circular abstract painting is made up of dense, fluid blues: ultramarine, navy, ink, and electric cobalt. I poured and moved the paint in slow, sweeping motions, letting it form ridges and whorls like deepwater currents or tectonic shifts. It felt less like making a painting and more like listening—to something old and vast.
This piece is for you if you’re drawn to the deep end. If you find clarity in quiet. If you trust the wisdom that lives in darkness.
Indigo, once traded like gold, was considered medicinal and ceremonial—used in rituals of protection and initiation. In Catholic art, ultramarine robes of Mary and marks divine mystery and mercy.
The circular form recalls the sacred circle found in many cultures—symbolising wholeness, time, and spiritual protection. As artist Radcliffe Bailey once said of water in African diasporic memory, “It’s a space of trauma and a space of transcendence.” That duality lives here too.
Ocean Floor is a meditation on silence, pressure, and mystery—the kind of mystery that lives beneath everything we think we know. This circular abstract painting is made up of dense, fluid blues: ultramarine, navy, ink, and electric cobalt. I poured and moved the paint in slow, sweeping motions, letting it form ridges and whorls like deepwater currents or tectonic shifts. It felt less like making a painting and more like listening—to something old and vast.
This piece is for you if you’re drawn to the deep end. If you find clarity in quiet. If you trust the wisdom that lives in darkness.
Indigo, once traded like gold, was considered medicinal and ceremonial—used in rituals of protection and initiation. In Catholic art, ultramarine robes of Mary and marks divine mystery and mercy.
The circular form recalls the sacred circle found in many cultures—symbolising wholeness, time, and spiritual protection. As artist Radcliffe Bailey once said of water in African diasporic memory, “It’s a space of trauma and a space of transcendence.” That duality lives here too.
Ocean Floor is a meditation on silence, pressure, and mystery—the kind of mystery that lives beneath everything we think we know. This circular abstract painting is made up of dense, fluid blues: ultramarine, navy, ink, and electric cobalt. I poured and moved the paint in slow, sweeping motions, letting it form ridges and whorls like deepwater currents or tectonic shifts. It felt less like making a painting and more like listening—to something old and vast.
This piece is for you if you’re drawn to the deep end. If you find clarity in quiet. If you trust the wisdom that lives in darkness.
Indigo, once traded like gold, was considered medicinal and ceremonial—used in rituals of protection and initiation. In Catholic art, ultramarine robes of Mary and marks divine mystery and mercy.
The circular form recalls the sacred circle found in many cultures—symbolising wholeness, time, and spiritual protection. As artist Radcliffe Bailey once said of water in African diasporic memory, “It’s a space of trauma and a space of transcendence.” That duality lives here too.